Ultra-high-resolution art scanning, three-billion-pixel reproducing and Giclée printing technologiesare utilized to recreate the most authentic images from immortal masterpieces by world art masters, original artworks’ true colors are recreated accurately, and their authenticity and layers can be guaranteed. Artworks’ quality and details are identical to the original, with no visible differences comparing to the original pieces.

PREMIUM QUALITY PAPERS/CANVAS.

The Japanese Footbridge-1600x1600

Rice Paper 100 gsm,pure handmade, coated professionally upon completion of papermaking process to make it suitable for Giclée print and optimal for ink absorbency.

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100% Cotton Canvas 380 gsm, with water repellent finish, its clear and bold texture and bright white tones make bright colors stand out and produce sharp contrasts between dark and white tones.

The adolescent Bacchus by Caravaggio-1600x1600 (1) (1) (1) (1) (1) (1) (1) (1) (1)

Museum Etching Paper 300 gsm, as its name suggests, museum etching paper has the same noble and rich texture as well as natural-tone paper base as traditional etching painting albums do, as a result it is an ideal medium for warm color tone or subtle grayscale images.

ADVANCED PRINTING/COLOR MANAGEMENT SYSTEMS.

Carnation, Lily, Lily, Rose-John Singer Sargent-1600x1600

Machine. 2.64” Epson PrecisionCoreTM MicroTFP Micro Piezo printhead, maximum resolution 2400 x 1200 dpi.

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Ink.Genuine Epson UltraChrome Ink sets, including 10 colors, can perfectly reproduce almost all light and dark details of the original artwork. Its base pigments are made from natural materials, it is said that the colors can last 200 years.

Painting

X-rite™ i1Publish Pro 2. The difference between micro-jet print and Giclée print is that the former is merely “click to print”, while the latter employs a perfect and precise color management workflow to control output quality. i1Publish Pro 2 is a complete color management system, which includes all-purpose ICC production software and i1Pro 2 Spectrophotometer, X-rite’s latest technological outcome, can measure print output colors optically thus enable the control software to know the actual output quality and adjust deviations, ensure color synchronization.

CREATIVE MOUNTING AND FRAMING TECHNIQUES.

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Oil painting products must be mounted on backing boards to prevent wrinkles from appearing on images due to external factors such as humidity, etc. Exhibition-grade real wood` frames which won’t deform under high temperature or humidity, combined with thickened acrylic sheets, will retain the beautiful colors of the artwork without causing any distortion.

The adolescent Bacchus by Caravaggio-1600x1600 (1) (1) (1) (1) (1) (1) (1) (1) (1)

There are 48 steps in the framing procedure, each step is done manually with craftsmanship.

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Back Covering Techniques. The back of the artwork is entirely covered with kraft paper, which not only makes the artwork look beautiful, but also prevents shipping damages. Every detail is taken into account, even the strap hangers to which the hanging wire is attached are completely covered with kraft paper.